A portrait of poet, storyteller and comic, John Cooper-Clark. His poems, a satirical blend of humour and social comment, are delivered at a fast pace, often with musical backing. His style, and that of his contemporary Linton Kwesi Johnson, have influenced a generation of younger poets involved in a revival of popular poetry in Britain.
Punk poet John Cooper Clarke was born January 25, 1949 in Manchester, England; he first began performing his verse backed by a local folk group called the Ferrets, but in 1977 signed to the Rabid Records label to release the Martin Hannett-produced single “Psycle Sluts.”
With his rapid-fire verbal delivery and stinging social commentary, Clarke quickly emerged as the poet laureate of the punk movement, and he read his work as an opening act for groups including the Sex Pistols and the Buzzcocks; an LP, Disguise in Love, followed on Epic in 1978.
After supporting Elvis Costello and the Attractions on their legendary Armed Forces tour, Clarke scored a Top 40 hit with the single “Gimmix; ” a live disc, Walking Back to Happiness, appeared in 1979, and a year later he released a second studio effort, Snap, Crackle and Bop.
While hugely popular as a stage performer, his records sold poorly, and 1982’s Zip Style Method was his final release for Epic; while still maintaining a high visibility as a live act.
Clarke appeared less and less frequently in the years to follow, spending the better part of the 1980s battling an addiction to heroin. (He also spent several years romantically involved with former Velvet Underground chanteuse Nico, no stranger to drug problems herself.)
By the following decade Clarke cleaned up his act, returning to the stage and contributing regularly to poetry journals. ~ Jason Ankeny, Rovi